Art & Film: Hopper/Malick

From the canvas to the cinema.

David Liu | 21 January 2012

[Flash 10 is required to watch video]

GREAT SCENES
The Thin Red Line
(Terrence Malick, 1998)

A scene of beauty and monumental sadness: In a brief reprieve from the senseless violence of war, a soldier experiences heartbreak. With more pathos than most contemporary filmmakers, Malick conveys the quiet devastation of men.

GREAT SCENES
The New World (Terrence Malick, 2006)

A moment that comes to mind whenever I pause and reflect on the passing of another year, and the promise of a new one. Something about Wagner’s Vorspiel humbles me so.

What we call the beginning is often the end
And to make an end is to make a beginning.
The end is where we start from.

- T.S. Eliot, “Little Gidding” (Four Quartets)

GREAT SCENES
The New World (Terrence Malick, 2005)

Heralded by Richard Wagner’s Rheingold Prelude, the Jamestown Expedition arrives at the shores of Virginia in 1607. Emmanuel Lubezki’s cinematography accentuates one of cinema’s most rapturous opening sequences.

[Flash 9 is required to listen to audio.]

17 plays

Days of Heaven - Ennio Morricone

daysofheaven
Days of Heaven (Terrence Malick, 1978)